The March of the Fourfold Visions Continues: Who’s In the Band?

This morning I made two efforts to extend the conversation. Each Thursday I refresh the content on the Voyageur Storytelling Web Site (www.voyageurstorytelling.ca) with a new pictoverbicon and sometimes, although not this morning, with new content. Then I put the pictoverbicon on Twitter (@conwaypaulw), with the allowed amount of text, and sometimes on Facebook, on the Paul W Conway and Voyageur Storytelling pages.

The text I put on Facebook, which enlarged what I put on Twitter, is:

July 2nd. A Pictoverbicon for the day after Canada Day and onward. I remain unconvinced about the idea of picking one day to mark a country that grew-grows-will grow incrementally even organically. Each increment has its birthday, which is also the country’s. Pluralism in all dimensions: a Multidimensional Continuum. It is difficult to get the head around this. Let’s start with a set of four four-dimensional continuums (“Tetrads”) and see if we can work with them. My set, so far?:
God + Nature + Person + People
Prosperity + Society + Environment + Culture
Wealth + Health + Wisdom + Courage
Knowledge + Imagination + Compassion + Humour
Your set?

Then, being obliged to respond to a feminist publisher who asked to be removed from the mailing list, being willing but sad to do that, and wanting to offer some explanation for my sadness, I replied with the following e-mail:

Of course we will remove you from our mailing list as you request, but with regret. We are anxious to include feminist voices in our conversation about Fourfold Visions in Public Affairs, and had hoped that you would be interested in being one of them, or at least linking us with others. So far the nominations for Fourfold Prophets, with one exception, have been men, even those coming from women. I am sure that is not a valid reflection of the pool.

Is it valid, do you think, to articulate which might be called “The Unsolved Riddle of Justice for Women” around a Fourfold Vision that might look something like this?:

As an individual person, entitled to life, liberty, well-being and contentment, with responsibilities to herself;
As a person with an intimate circle,—family and friends,—to whom she has particular responsibilities;
As a person in society, to which she has a general responsibility that translates into particulars;
As a person with a potential assigned by Nature,—child-bearing,,—
which if felt or realized creates another set of particular responsibilities.

Of course all these responsibilities are shaped and interpreted within the woman’s own culture, and the culture around her. If that culture changes, or she moves from one to another, a whole new layer is added to the Unsolved Riddle.

If the Unsolved Riddle of Justice for Women does indeed look something like this, or even if it doesn’t,–in which case I would be keen to have the vision corrected,–then the specific questions I am asking in the Fourfold Visions Projectile are (a) how the riddle presents itself in public affairs, and (b) whether a “Literary Cast of Mind” has anything to offer in dealing with it, and if so how. The alternative casts of mind I am listing, for the time being, are the Mariposan, the Ideological, and the Scientific.

I think you at [press] and at least some of your authors will have interesting and useful answers to those questions. That is why I will act on your request with regret.

I assure you, however, that we will keep searching for feminist perspectives in our conversation, which is all it is at the moment. We will find them too, because we know they are alive.

A little clarification and extension:

Why am I calling this whole thing a “projectile” instead of a project, or a probe, or an initiative, or any more conventional term. I shot an arrow into the air,/ It fell to Earth, I knew not where; … If I am interpreting the Automatistes properly, the work of art (or in this case, of enquiry) is the arrow, the projectile. The painting, or dance, or play, or manifesto (“Refus Global“) or whatever results from it is mark it made on the place where it landed. This one is still in flight; in fact, it is still on the upward slope of its parabola, or whatever shape its trajectory may take given the wind conditions.

I am trying to imagine what Tetrational thinking would look like. Clearly it won’t be a picture or object occupying space, even the relativistic space of Einstein and others. If my set of four tetrads can be taken as a crude working model (can it?) then we are dealing with sixteen elements, arranged as either a sixteen-dimensional continuum, or four four-dimensional continuums either fused, or a nesting set. We cannot see such a complex Vision; our eyes, while amazing organs, are not able. Our minds, however, even more amazing, are able, if we so develop them. I use the term “cast of mind” to mean the lines along which a mind has developed.

A Mariposan Cast of Mind, as I conceive it, would approach a sixteen-dimensional continuum in a severely pragmatic way, navigating through it incrementally, using trial-and-success or -error, and learning as it went.

An Ideological Cast of Mind would simplify the continuum by reducing the number of elements given status.

A Scientific Cast of Mind would strive to understand the continuum by rigorous study of its elements and their relationships, reducing them eventually, if at all possible, to mathematical formulations.

My question is, what would a Literary Cast of Mind do, and does it offer more than any of these others?

God + Nature + Person + People
Prosperity + Society + Environment + Culture
Wealth + Health + Wisdom + Courage
Knowledge + Imagination + Compassion + Humour

Sixteen words, each one a label for an element of what is good, or is good for what is good, or a source. All can be discussed for what they mean, but none can be dismissed out of hand because too many people associate them, in some way, with “a good life”.

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